Little Harbor in Normandy

Georges Braque French, 1882–1963 Little Harbor in Normandy, spring 1909 Oil on canvas 32 x 31 3/4 in. (81.1 x 80.5 cm) none Samuel A. Marx Purchase Fund, 1970.98 © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris Medieval to Modern European Painting and Sculpture Gallery 391A

On Gothic Horror


Melmoth the Wanderer

I recently read Irish clergyman C.R. Maturin’s send-up of the Gothic Horror genre, Melmoth the Wanderer, which was originally published in 1820, twenty five years after Ann Radcliffe’s seminal novel of Gothic Romance, The Mysteries of Udolpho, and only two years after Mary Shelley’s uber-classic Frankenstein, or The Modern Prometheus. I am more piqued than ever by literature of this ilk and its influence through to the present day; not that I haven’t always been interested in the dark and more seamy hues of story-telling, but Melmoth has refocused me. The Faustian tale is truly a parody like much of the hyperbolic genre; what’s not to like about a school of writing that refuses to take itself too seriously.

Continue reading “On Gothic Horror”

On Gothic Horror

Richard Flanagan Reads from The Road to the Deep North


Rice Threshing

“Rice Threshing” /oil on canvas mounted on panel, 32 x 55 ½ ; private collection)/ American Artist: Thomas Hart Benton (1889-1975)
Rice Threshing