Richard Linklater’s innovative film Boyhood is a victory for creativity over fiscal responsibility. It takes courage to pitch a project that will not show a profit for ten years or more especially in today’s quarter by quarter business world. Corporate investors are not interested in the long term. Here he credits IFC with having enough vision to buck the trend:
Commentary on In Paradise by Peter Matthiessen
Peter Matthiessen’s latest and regrettably last book of fiction relates the experience of one Polish-American professor at a so-called “Death Camp” retreat in 1996. Clements Olin travels to Poland ostensibly on a research gathering quest for a book about a survivor who later committed suicide. But his more important purpose is only slowly revealed, to the reader and to himself, by novel’s end.
There has been a slight resurgence of the short stories of Leonard Michaels who passed away in 2003. What do I consider a slight resurgence? Well, it is quite a subjective statement, based solely on the podcasts I consume. The New Yorker Fiction July 2014 podcast features Rebecca Curtis reading The Penultimate Conjecture, one of a septet of stories dubbed the Nachman Stories written by Leonard Michaels near the end of his life. Another podcast, Selected Shorts from PRI recently presented a program in honor of the late David Rakoff where Mr. Rakoff performs Cryptology, the last story in the Nachman septet, at Symphony Space in New York City.
Leonard Michaels’ writing has been compared to Isaac Babel, Bernard Malamud, and Philip Roth. His protagonist, Nachman, is a world-class mathematician originally from Cracow, living in Los Angeles. He hates to travel, doesn’t particularly get along with too many people, he ironically seems more suited to New York than to L.A. The Penultimate Conjecture follows Nachman to San Francisco where he is attending the annual meeting of the Pythagoras Society. There, a young Scandinavian Mathematics colleague, Bjorn Lindquist, is expected to layout his solution for the infamously difficult math proof, the Penultimate Conjecture, which British cryptographers formulated during the second world war. At the upstart’s presentation, Nachman meet’s another math wizard, a Russian by the name of Chertoff (which means something diabolical in the Slavic language) , who urges Nachman to reveal what he knows is true in his heart: that Lindquist’s solution is flawed.
In Cryptology, we find Nachman out of his comfort zone again, this time in NYC to attend the annual cryptology conference. He meets an old friend (“I’m Helen Ferris now”) on Fifth Avenue, a woman whom he simply cannot place. After handing over her address and apartment keys to Nachman, she invites him to dinner with her and her husband: “If you arrive before us, just wait in the apartment,” she tells him. But when Nachman arrives at the posh Chelsea flat he finds it deserted; until he perceives the faint hiss of a shower and voices carrying from the next room. Cryptology is a story infused with mystery, both outward and inward. By the end Nachman is musing on not just who Helen Ferris could be, but who he, the enigmatic Nachman, really is.
All of the Nachman stories can be found in: The Collected Stories by Leonard Michaels